Showing posts with label Adrienne Hill. Show all posts
Showing posts with label Adrienne Hill. Show all posts

Monday, November 11, 2019

#21 (3.10 - 3.21): The Daleks' Master Plan.

Mavic Chen (Kevin Stoney), "Guardian of the 
Solar System," sells out Earth to the Daleks!

12 episodes: The Nightmare Begins, Day of Armageddon, Devil's Planet, The Traitors, Counter Plot, Coronas of the Sun, The Feast of Steven, Volcano, Golden Death, Escape Switch, The Abandoned Planet, Destruction of Time. Running Time: Approx. 291 minutes. Written by: Terry Nation, Dennis Spooner. Directed by: Douglas Camfield. Produced by: John Wiles.


THE PLOT:

The Doctor is in a state of desperation when the TARDIS materializes on the planet Kembal. Steven is in bad shape, the wound he took during the escape from Troy poisoned. Vicki is gone, and her replacement, the young Trojan handmaiden Katarina (Adrienne Hill) is willing to help, but has no frame of reference to understand any of what she's now experiencing. To all intents and purposes, the Doctor has only himself to rely on as he exits the TARDIS to try to find help for Steven.

Fortunately, Space Security Agent Bret Vyon (Nicholas Courtney) is also on Kembal, investigating the disappearance of agent Marc Cory. He has drugs that are able to quickly cure Steven. But he is being pursued by Daleks, who are preparing an invasion of Earth's solar system. Bret joins the time travelers, enlisting their aid to warn Earth of the impending attack.

The situation is even worse than it appears. The Daleks have joined in an alliance with forces from several galaxies - including our own. Mavic Chen (Kevin Stoney), the seemingly heroic "Guardian of the Solar System" and effectively Earth's leader, has sided with the Daleks.  He has brought them a core of Taranium, a rare element that will power The Time Destructor, the Daleks' ultimate weapon. With this power, the Daleks will be unstoppable!

So the Doctor, disguised as one of the representatives, does the only thing he can: He steals it, rendering the Daleks weapon inoperable, and flees with his companions. But the Daleks and Mavic Chen are in close pursuit.  They have no prospect of aid - Chen has branded them all traitors, with orders to Earth forces to kill them on sight!


CHARACTERS:

The Doctor: He has several allies in this story, allowing us to see how he behaves differently toward each. He is highly protective of Katarina, gently encouraging her efforts to assist while doing all he can to keep her out of danger. He has more of a partnership with Steven and, later, Sara Kingdom, showing some willingness to listen to their thoughts and opinions. His relationship with Bret is more combative. There's respect on both sides, but also wariness, and the Doctor is outright disgusted when Bret kills one of Chen's associates in Episode Four. "You brainless idiot!" he shouts. "How many times have I told you about taking lives? We have other ways and means of dealing with evildoers... (and) now we shall never know whom we can trust!"

Steven: Continues to be headstrong. After the Doctor has created a false taranium core to use as a decoy, Steven suggests using gravity force to charge it, a suggestion promptly and somewhat patronisingly dismissed by the Doctor and Sara. Steven decides to do it anyway - Which does work, and allows the Doctor to fool the Daleks at a critical turn, but which also nearly kills Steven in the process. Unlike the Doctor, Steven responds well to Bret and works well with the Space Security Agent, seeming on the verge of developing a genuine friendship. He has also developed a healthy respect toward the Doctor by this point, deferring to his judgment more readily here than in previous stories, and even urging Sara early on to trust him.

Katarina: Never really understands the strangeness in which she finds herself, but she is able to contextualize it, to make the situation work within her frame of reference. The Doctor is a god, the Daleks are demons, and their journey is through the Underworld to a "Place of Perfection." She is useful where she can be, and knows just enough to stay out of the way where she can't be of use... And, oddly for a companion who was written out because of the limitations of her historical origin, she ends up showing more personality across the four episodes she's in of this story than her eventual replacement would show in almost twenty episodes!

Bret Vyon: Nicholas Courtney's Doctor Who debut, in a role that is not a million miles removed from Brigadier Lethbridge-Stewart. Bret is highly focused on his mission, but not to the exclusion of concern for his comrades.  His arc is one of increasing suspicion - Which is understandable, given that his part of the story likely unfolds over no more than a few hours, in which time he loses a friend, discovers that a man he has idolized is a traitor, and watches helpessly as an innocent is blown out an airlock. Courtney's screen presence is immediately evident, as is his natural fit for military roles, and it's easy to see why he was remembered when the same director was casting Lethbridge-Stewart a few years later.

Sara Kingdom: The second of Jean Marsh's three Doctor Who roles. Sara is much like Bret. She is tightly-wound, unquestioning of orders, absolutely loyal to Mavic Chen. Steven berates her for her willingness to believe Chen's story that Bret is a traitor - Though it should be remembered that Bret also found it initially unthinkable that Chen had turned against Earth. When Sara meets Chen again, after his treachery has been revealed, she all but spits in his face, condemning him with a single, icy word: "Traitor!"

Mavic Chen: "You make your incompetence sound like an achievement." The Dalek Supreme accurately sums the story's human villain up with this observation. Chen has a silver tongue, spinning every situation to his advantage no matter how badly he himself has bungled things. One of his best scenes comes in Episode Six, as he turns the Dalek Supreme's potentially fatal accusation of failure back on the Daleks, ultimately putting them on the defensive as he observes how the Daleks have allowed the Doctor to steal a Dalek ship. "And you had the audacity to accuse me, Mavic Chen, of incompetence!" Chen is a pure, B-movie villain, about as close to a "Doctor Evil" character as you can get without actually using Mike Myers - right down to the pinkie gestures. Actor Kevin Stoney leans into this, going just enough over-the-top to make the camp villainy fun, while also maintaining enough of a reserve to convince us of Chen as a larger-than-life figure. Episodes Four and Five see some enjoyable and interesting interactions between Chen and his security chief, Karlton (Maurice Browning), who is clearly a confidante and who actually comes across as both smarter and more dangerous than Chen himself. Unfortunately, Karlton vanishes from the story after Episode Five, never to be so much as mentioned again, while Chen is reduced to a lunatic by the final installment.

The Meddling Monk: Episodes 8 - 10 are, in effect, a three-parter inside the larger arc, with the focus substantially on the return of The Time Meddler's monk (Peter Butterworth). Though these episodes see a sharp reduction in the pace and urgency of the main story, they do make for a fun diversion. Butterworth remains an engaging presence, and I enjoyed his attempts to barter with both the Daleks and the Doctor. He is once again sent off alive, but with a healthy serving of poetic justice, leaving the door wide open for another potential return. Such a return never occurred - Unfortunate, as I rather suspect the bumbling time meddler would have made a fun foil for Patrick Troughton's Doctor.

Daleks: "One Dalek is capable of exterminating all!" I've often said that one of the reasons the Hartnell era is my favorite is that, in broad strokes, almost anything the series would later do was first done (or at least indicated) here. The Daleks' Master Plan's portrayal of the Daleks foreshadows how they were brought back in the New Series, the Dalek's boast in Episode Ten very much in line with the relentless of the lone Daleks in Dalek and Resolution. In Episode Ten (an episode that fortunately exists!), we witness a battle between a large force of ancient Egyptians and a handful of Daleks. It is a slaughter, the Daleks exterminating scores of their attackers, with only a single Dalek getting overwhelmed during the fight. Scenes like that go a long way toward reinforcing these fundamentally rather silly-looking creatures as a genuine threat.


THOUGHTS:

At a full twelve episodes - thirteen if you include Mission to the Unknown, which is a direct prologue - The Daleks' Master Plan is an epic venture. A single narrative sustained for roughly three months of broadcast, or five hours of continued viewing, this features a multitude of guest characters, settings, plot turns, and villains.

Not to mention death. The Daleks' Master Plan has no compunctions about killing characters, including ones you might normally regard as untouchable. With Vicki written out in the previous story, this serial passes us from one temporary companion to another. Katarina carries over from The Myth Makers. Bret Vyon is introduced as a potential adversary in Episode One, then becomes a companion in all but name. Sara Kingdom is an adversary in Episode Four, then becomes a companion over the course of the rest of the story. Each of them has a strong enough personality for us to become attached, each of them is treated as a regular character... And by the end of the story, all three of them are dead, leaving the Doctor to decry the loss of life in the story's last spoken line:

"What a waste. What a terrible waste!"

The story is pure "B" movie nonsense, but for its first six episodes it is surprisingly gripping. The narrative does a good job of conveying a sense of urgency, with strong performances by the main cast and typically dynanic direction from Douglas Camfield, who remains '60's Who's best director. A wealth of existing footage from the story's first half reinforces how strong the production was: Episodes 2 and 5 exist in their entirety (along with Episode 10), and substantial clips exist from Episodes 1, 3, and 4 - including the series' first-ever companion death. This was Season Three's Event Serial, and the production values, which are far above the series' norm, reflect that.

For the first six episodes, this story was on track to earn a "9," possibly even a "10." But ultimately, the story just can't sustain for twelve episodes, and the pace falters significantly in the second half.

I'll be fair to The Feast of Steven, Classic Who's only Christmas special. It isn't particularly to my tastes, with the overly-frenetic slapstick-heavy scenes in a Hollywood studio more annoying than amusing - But it is also made very much as an episode in itself, and wasn't even packaged with the rest of the story when offered for sale abroad. The monk three-parter, however, would have been better as its own story. Episode Eight is a bit of a bore, but the Egypt episodes are quite enjoyable and the monk's fate is worth a solid laugh - But I can't help but think the monk deserved a serial of his own, and that these episodes end up being a diversion that takes away from the main plot. With very little effort, you could remove Episodes 7 - 10 from this serial in their entirety... And the story itself would be much stronger for it.

Overall, Doctor Who is far the richer for The Daleks' Master Plan. The story is B-movie nonsense, but it is thoroughly enjoyable, particularly for its first half. Twelve episodes is ultimately about four episodes too many, and it's easy enough to see why the series never deliberately attempted a single story on this scale again (The War Games' length was a desperate response to other scripts falling through; The Trial of the Time Lord was less a single story and more of an arc of multiple stories). But I'd always rather see a series reach beyond its grasp than play it safe, and despite its failings, this epic is rarely less than enjoyable, and intermittently brilliant.

Rating: 8/10.

Previous Story: The Myth Makers
Next Story: The Massacre of St. Bartholomew's Eve

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Thursday, October 24, 2019

#20 (3.6 - 3.9): The Myth Makers.

Odysseus (Ivor Salter) forces the Doctor to plot the fall of Troy!

4 episodes: Temple of Secrets; Small Prophet, Quick Return; Death of a Spy; Horse of Destruction. Running Time: Approx. 100 minutes. Written by: Donald Cotton. Directed by: Michael Leeston-Smith. Produced by: John Wiles.


THE PLOT:

Ancient Troy, near the end of the Trojan War. Greek soldier Achilles (Cavan Kendall) battles Trojan prince Hector (Alan Haywood) outside the walls of the city, mere feet away from a strange blue box. Hector is the better fighter, and his victory is at hand. He taunts his victim before the kill, challenging Zeus to intervene and save Achilles.

Which is the very second that the Doctor steps out of the TARDIS. Hector is stunned - and Achilles takes the chance to kill his opponent in the name of the god who has saved him: Zeus, the Father of the Gods and ruler of the world, who has now appeared to him "in the guise of an old beggar."

The Doctor tries to slip back into his ship, but Achilles insists on taking him back to the Greek camp. There, Odysseus (Ivor Salter) derides the idea that this old man might be Zeus, thinking it more likely that he is a Trojan spy. King Agamemnon (Francis de Wolff) is more cautious, not believing the Doctor is Zeus but not wanting to risk offending the gods. He allows Odysseus to set the Doctor a challenge: Defeat Troy in the next two days, or be executed!

Meanwhile, the TARDIS is brought into Troy on the orders of Paris (Barrie Ingham), the surviving prince. When Vicki emerges, she is immediately captured. The prophet Cassandra (Frances White) suspects her of being a Greek spy, and demands her execution. King Priam (Max Adrian) is sympathetic to the young girl, and gives her an opportunity to save herself. Her test? To defeat the Greeks!


CHARACTERS:

The Doctor: William Hartnell is always at his best in the historical stories, and this one is no exception. The Doctor/Odysseus dynamic is wonderfully played. The Doctor employs his usual tactics to try to escape: Bluster, delay, flattery. The battle-hardened Odysseus proves utterly immune. Largely in desperation, the Doctor proposes the idea of the Trojan Horse, and he finds himself among the soldiers inside as the horse is dragged into Troy. As the slaughter approaches, he is helpless to do anything but witness it in disgust and horror. In a striking moment, he denounces Odysseus: "You're selfish, greedy, corrupt, cheap, horrible! Your one thought is for yourself and what you can get out of it!" Hartnell summons a righteous fury worthy of the god he's pretended to be - And at the story's end, Odysseus is left to wonder if the Doctor truly was Zeus all along.

Vicki: Reportedly, incoming producer John Wiles was not pleased observing Maureen O'Brien's complaints about Galaxy Four, and decided not to renew her contract.  Thus, one of my favorite companions is lumbered with a rather weak exit, married off to Troilus - an overly earnest and naive young man with whom she's spent less than ten minutes of total screen time! She does get some good material before then, at least. Her interactions with Steven are entertaining, and she bonds quickly with King Priam and his family. Maureen O'Brien is terrific in the final episode, the sprightliness dropping out of Vicki's voice as she realizes what is about to happen to the people she's just befriended.

Steven: Has in many ways emerged as the anti-Ian. Where his predecessor tended to be very stoic in the face of frequent imprisonment and brushes with death, Steven is more inclined toward irritation and sarcasm. When the Doctor declares he did well to materialize on Earth, regardless of the situation, Steven snaps back: "I suppose I should be grateful for standing here, trussed like a chicken, ready to have me throat cut!" His attempt to get into Troy to rescue Vicki backfires, landing him in a dungeon while making her situation worse. His response is to trade barbs with her. Still behaving much like an older brother, he all but makes gagging noises when he sees her flirting with Troilus.  But like a good brother, he is highly protective; when hes sees that she cares for the young man, he urges her to get him out of Troy.

Katarina: Cassandra's handmaiden, introduced in Episode Four as a replacement for Vicki. There's really not much to say about her at this point. With the episode missing, there is no opportunity to observe any nonverbal reactions actress Adrienne Hill might have shown, and Katarina has very few lines. She does react to the Doctor and the TARDIS as probably anyone from her time and culture would - Assuming he must be a god, and that she must be dead and on her way to the underworld. Not an unreasonable assumption, given that she's just stumbled in from the site of a mass slaughter.


THOUGHTS:

John Wiles' brief, ill-fated tenure as producer begins. I have something of a split opinion on Wiles. On the one hand, effectively firing Maureen O'Brien was a spectacular act of self-sabotage; not only did he have no good plan for a replacement, but with that one act he soured any working relationship he might have built with William Hartnell - who was at that time, to all appearances, the one irreplaceable member of the cast. In effect, he set himself up for failure.

On the other hand, I have to acknowledge that Wiles produced some fine stories during his short run, and The Myth Makers very much counts among them.

Writer Donald Cotton's script is highly literate, drawing heavily on both The Iliad and Shakespeare's Troilus and Cressida, but undercutting the heroic figures of those stories with broad irreverence. Achilles is mocked by Odysseus for running away from his enemies. Odysseus is referred to as a pirate, and actor Ivor Salter certainly plays him as such. King Priam seems vaguely ineffectual, Paris vain and foolish, Cassandra an outright shrew. The interactions in both Greek and Trojan camps are often very funny, but Cotton laces the humor with a bleak tone. We are constantly reminded that all of these characters are ready to kill on a moment's notice, with even the kindly Priam ready to burn Vicki as either a spy or a witch - "As one of them, anyway," he says wryly.

It's interesting to compare the ending of this initially comic historical with Season Two's semi-comic historical, The Romans. In both stories, the Doctor ends up being responsible for a devastating event - the burning of Rome, the fall of Troy. In The Romans, he witnesses the fire from a distance, safely removed from the human carnage, and literally laughs it off. Here, he is face-to-face with the suffering. Trojans are butchered by Odysseus' men in front of his eyes. The Doctor reacts with revulsion, probably all the more keenly felt because these people are dying because of him.

Save for the actual sacking of Troy and a couple brief swordfights, this story is almost entirely dialogue-driven. The story is presented and propelled through the sharp, witty exchanges of the Doctor and Odysseus in the Greek camp, or of Vicki and the dysfunctional royal family in the Trojan camp. As such, this is one missing story that works particularly well on audio, with only the sacking of Troy suffering for lack of visuals (and that's pretty well described in the narration, well-delivered by Peter Purves). The later Loose Cannon reconstruction is also good, with wonderfully clear stills throughout - though for whatever reason, this reconstruction suffers from irritating sound fluctuations in the incidental music, which makes the audio in my opinion the better overall option.

Either way, this is an excellent story. The potentially tricky transition from comedy to tragedy works seamlessly, and at four episodes the serial maintains a strong pace, never once threatening to overstay its welcome.


Rating: 9/10. I might have gone for full marks, if Vicki's departure felt a little more convincing and a little less rushed.

Previous Story: Mission to the Unknown
Next Story: The Daleks' Master Plan

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